But this is exactly this show's problem: they were not guaranteed a second season. Hell, I didn't even know that was on the table with this property - it was always advertised like a limited series and I was really surprised two episodes from the end of the season.
Holding interesting things back does not work for streaming series ESPECIALLY when the seasons can be years apart*. I think Joss Whedon had his philosophy on this issue exactly right - you get hired for one season of television - complete that story in those episodes. A few threads can dangle, but for the most part, everything is resolved (with the exception of Buffy S6 because they had the two-season renewal but even that was still a satisfying place to end). Perhaps storytelling that respects the audience is another reason for that show's enduring relevance?
*This also bears stating: tearing down and rebuilding sets barely amortizes over our shortest seasons - that's why six episodes is the bare minimum. To tear sets down and put them back up is easily 5-10 million alone which makes greenlighting additional seasons of streaming even less likely and more cost-prohibitive in our current *bad* model.
But also - Amandla was terrible in her dual leading roles. The characterization of both twins was incoherent and her acting was flat - times two. She had a few solid moments, but for the very most part, her performance was underwhelming. And this:
This show's star and creative team absolutely courted controversy for PR purposes to use as a smokescreen to pre-silence the audience's valid criticism of what's unfolding onscreen. Cloak all criticism as racism, no one talks critically. Were there idiots being disgusting? Unfortunately yes. Did the creative team antagonize the hornet's nest on purpose? Also yes. A quality product should speak for itself but since they know they didn't make that, they used the new SW publicity smokescreen.
It seems people in this thread are finally getting around to the show and liking it without any of that crap around. It's standing on its own quality now, so it could have done it the first time.
FWIW, it's also worth pointing out that I only heard about these idiots being gross *because* of Amandla and the creative team giving them air in the media. Have no interest in listening to anything like that and it's not that hard to avoid. Don't give air to stupid.
To be fair, no show is guaranteed a second season. Unless it's a rare case of a studio absolutely
loving what they're seeing or a new work from a pre-existing giant of the industry, and even then, studios can- and have- reversed their decision before. Every show is essentially a test run in its first season, but they won't get greenlit unless they can show the studio that they have a long-term plan. Sure, we're seeing more and more limited series, but with Star Wars, it's a brand, and they want long-running IPs, especially when it ties in to another run of stories that they're heavily trying to promote (in this case, the High Republic stuff). If Disney is gonna invest millions into a show, they need to know where it's going, regardless of whether or not it's guaranteed to go there.
I know the Acolyte employed many more practical sets than we've gotten recently, but if it really comes down to it, Disney has the Volume, so I don't think they're
thaaaat concerned about tearing down sets. Not to mention they'd undoubtedly reuse a lot of those sets, like the Jedi Temple, Qimir's cave, etc.
We'll agree to disagree on Amandla. Was she stupendous and award-worthy? Not necessarily. But I think she did the job quite well. Emotional confliction reads differently on different people, especially when one of those people- Osha- is still learning to overcome the teachings that made her suppress said emotions. I hate to rely on this explanation for too much, but again- it was only season 1. The characters needed an arc, and perhaps that was part of it- learning to embrace those emotions more and more (as we saw a bit of at the end of season 1 with her and Sol). It would be like saying Mark Hamill couldn't act because Luke, while having an arc in ANH, certainly didn't have the meatiest of material just yet.
Figuring out how to handle online bullies is tricky. I don't think ignoring them is technically the right way to go about things. As much as we'd love to say they'd go away if ignored, they've proven that their voices only get louder. It's worked before to call people out on their crap, and these artists have every right to stand up for themselves, especially when the attacks go beyond the show itself and target their race, gender, etc. Of course by doing so, it invites more criticism and controversy. It's a double edged sword that I think people are still figuring out how to navigate.
Ultimately, I don't begrudge anyone their opinion- nobody
has to like everything, as long as said opinion is given respectfully. But as we're seeing more often than not is that people aren't even giving something a chance before they criticize. They either start the badgering, or join the cacophony of noise before watching a minute of footage, or seeing the entire story and intent of something. And we're seeing more and more that when they actually
do, they actually end up enjoying it. But by then it's too late. It's not like the movies, which we're used to, where the vitriol just kinda goes into the abyss. It's actively shaping the future (or lack thereof) of the thing itself.