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And I don't even begrudge Cameron for raising his Oscar in the air and quoting his hit movie
Oh fuck I TOTALLY begrudge him that. Or, rather, I *judge* him for it.

Totally separate from whether I “like” his art, that kind of display absolutely makes me want to hurl.
“I’m the king of the world?”
Fuuuuuuuuuuuuuuck you, man.
Find some fucking humility in a moment of triumph that involves an entire TEAM of artists and your latest ex-wife, “king”.
 
Yeah I guess I get that stance but just.. it's a line from the movie. He's being goofy. I'm sure he's a shitty boss and a lousy husband but that one moment doesn't really make me cringe. He won an award and did a "yay me" with a reference to the thing he won for.
 
I want to fully reserve judgement on Avatar until the full series is done.
THis is the "just play the game for 10hrs and then it becomes good" of movie arguments. Nah. It's not fun right now two instalments in. That's as good a chance as I'm giving anyone. If I watch any more it'll solely be ont he recommendation either of people whose taste I know is similar to mine, or on the recommendation of @Damien because if he watched one and liked it I know it must be a miraculous piece of filmmaking.

if the source material was unknown what would we have thought about the first film?
I'm one of the few people who had never read, nor knew the plot of LotR or Hobbit going into that first film. It was still good. The ending is slightly abrupt, but it was a perfectly coherent and exciting film on its own. If it hadn't been I wouldn't have seen the next two.
Until I see the original edit of Star Wars before it was "saved" in the editing I will take that as hearsay
You don't have to see the edit. IIRC we have the shooting script. There are whole bits totally invented in the edit. One of the big ones is the countdown clock at the end where the Death Star is bearing down on Yavin . Originally it was just a mission to blow up the Death Star and not a race against time to beat them before they blew up all the rebels. And when you watch it knowing that you can see it. There is no information on screen or delivered by the main characters that refers to it. It's a computer voice and insert shots of a computer readout.

There are also deleted scenes you can find that, if you put them in, you can see how they mess up the pacing. In fact one of them (the Jabba scene) got put back in during the rereleases and, indeed, it's not good pacing.
 
1 - I want to fully reserve judgement on Avatar until the full series is done. Maybe this is building to something and we don't know it yet. To compare to the LotR films, if the source material was unknown what would we have thought about the first film? They killed off two of the best characters, wasted 30 minutes on some prologue stuff, what are these Hobbits supposed to represent, Frodo seems pretty pathetic for an action hero, and we never even get close to the Mordor place.
I mean... what?
I feel like there's a huge difference between a great film that doesn't have an ending because it's part of a series, and a garbage film that doesn't have an ending because it's part of a series. No complaint yet leveled against Avatar is that it doesn't have a satisfying conclusion to the entire concept.


2 - RE: The Hobbit - the Hobbit was a misfire because even though that book and the LotR trilogy are connected they really do not gel together al all - not on paper, not anywhere.
Well, no. That's not why it was a misfire. It was a terrible set of films. Independent of how well they gel with LotR. Taken as their own films entirely, ignoring LotR completely, they are both bad films and bad adaptations. I don't see much evidence at all that trying to make them more grown-up (i.e. more in line with LotR) is what makes them bad. Hell, the fan-edit manages to make them into a fairly decent film which is also relatively in line with LotR.

3b - Pretty much all entertainment makers and critics try to convince the world that they aren't just trying to entertain but make something meaningful - I think all of us want to feel what we are doing as a job or in volunteering has some positive meaning, and at times we overstate that. And many times a film can be both entertaining and meaningful, but there is nothing wrong with just entertainment.

We need to draw a distinction between 'meaningful' and 'has a story to care about.' You don't have to be making some deep, introspective character study on the human condition to make something meaningful. You just have to craft a story that feels like it matters. Half of the episodes of fucking Justice League Unlimited hit me harder and feel like they have more emotional depth than anything in Avatar. That's what I, personally, mean when I say that Avatar is just trash-spectacle without value. Even Cameron himself didn't give a shit about the story. It was all about how pretty he could make the screen. If people enjoy that, that's fine. But it's not high film-making and writing. It's just fireworks.


4 - Until I see the original edit of Star Wars before it was "saved" in the editing I will take that as hearsay - might be true, might not be - might be that no one fully got what he was going to be able to pull together once the special effects and so on were done.
I don't think that's entirely fair. It seems like most people that talk about Star Wars being 'saved' from Lucas are basing that on MANY interviews over the years, including those with Lucas himself. It's setting the goalpost on the surface of the sun to be like 'show me the original edit.' There isn't one. There's just the actual words of all the people involved. But I can't imagine the herculean effort it would be to distill decades of interviews and comments down to 'here's what we're talking about' if you don't already know.

THis is the "just play the game for 10hrs and then it becomes good" of movie arguments. Nah. It's not fun right now two instalments in. That's as good a chance as I'm giving anyone. If I watch any more it'll solely be ont he recommendation either of people whose taste I know is similar to mine, or on the recommendation of @Damien because if he watched one and liked it I know it must be a miraculous piece of filmmaking.
Ha!
But yes, this. I think there's also a misunderstanding here of what makes Avatar bad. Because it is not 'not enough stuff was explained to me.' Therefore, a really good ending that explains everything has zero impact on the original film. It wasn't bad because I, as a viewer, am confused.
 
and did a "yay me"
That’s specifically what I object to.

It’s one thing if others “yay” me. But to “yay” myself? Fuck no, cringey arrogant hubris at its finest. And I speak from constant experience on this one: I’m no academy award-winning director, but I’ve built a reputation in my particular creative bubble (which I don’t talk much about here because, again: self-aggrandizement is fucking disgusting), and I have the opportunity (and privilege) to spend a lot of time thinking about how I will “show up” as an artist of known merit; and I am
HYPER-AWARE that less-experienced artists and *especially* the kids I work with are watching how I deal with artistic successes (and artistic failures!!!). I have a responsibility to demonstrate the kind of behavior I want to see and know is healthy and appropriate, AND SO DOES CAMERON.

And, like, he can do what he wants: it’s still a free country, for now.
But that kind of behavior is an instant turn-off for me, and it has absolutely affected who gets hired (or not hired) around me over the years. And it certainly will again.
 
@AceofKnaves
Well....I guess that makes sense but I dunno... I firmly believe that one needs to take a look back to see how far they've come sometimes. So in that moment, I saw the guy who survived on hardly anything because his mom was able to send him money having now reached a massive milestone in his industry and appreciating that. I TOTALLY get that it's different when that is done so publicly. I can't imagine being nominated for any sort of award and actually showing up to possibly accept it but that's me. When I played guitar in band, I always hid behind the drummer.
 
appreciating that
See, for me “appreciation” is the *opposite* of self-aggrandizement. To me, appreciation means recognizing that however far I have come, I have not made that journey alone and am indebted to everyone and everything that facilitated that journey. To reduce that, even in jest, to “I’m the king of the world” literally makes me throw up in my mouth.
 
You don't have to see the edit. IIRC we have the shooting script. There are whole bits totally invented in the edit. One of the big ones is the countdown clock at the end where the Death Star is bearing down on Yavin .
That's true for almost every film though - somethings work, some scenes slow things down, maybe they recut a sequence. I'm not saying that he didn't have a ton of help and support and got ideas from others, but he also had the footage and the basic story beats and so on. I guess I push back a bit because that trope is often used to suggest that Star Wars would have been terrible if not for everyone but Lucas.
 
I feel like there's a huge difference between a great film that doesn't have an ending because it's part of a series, and a garbage film that doesn't have an ending because it's part of a series. No complaint yet leveled against Avatar is that it doesn't have a satisfying conclusion to the entire concept.
But he says it is part of series, so who knows how things work together. I have found the films so far to be average but also think it is too early to write them off if in fact it is building to something.

Well, no. That's not why it was a misfire. It was a terrible set of films. Independent of how well they gel with LotR. Taken as their own films entirely, ignoring LotR completely, they are both bad films and bad adaptations. I don't see much evidence at all that trying to make them more grown-up (i.e. more in line with LotR) is what makes them bad. Hell, the fan-edit manages to make them into a fairly decent film which is also relatively in line with LotR.
I think you can make a good Hobbit adaptation, or a good prequel about the time leading up to LotR from the appendices, but I think trying to do both tonally does not work. I agree there were other problems with the films - I genuinely dislike them and felt they were disappointing to say the least - but I think it was kneecapped from the start by the decision of how to approach it (kind of how I think the Star Wars ST was kneecapped by the idea that each film was going to focus on one of the OT threesome...)

We need to draw a distinction between 'meaningful' and 'has a story to care about.'
That's fair.

I don't think that's entirely fair. It seems like most people that talk about Star Wars being 'saved' from Lucas are basing that on MANY interviews over the years, including those with Lucas himself. It's setting the goalpost on the surface of the sun to be like 'show me the original edit.'
I just find it to be a narrative that went from being "lots of great people made Star Wars happen and Lucas needed them" to "Lucas was always a hack and got lucky and shouldn't get any credit". Not saying that is what was the basis of the comments here but you do see that in the fandom.
 
Ultimately, the most important thing about Hobbit adaptations is that a fucking excellent one already has existed for a couple generations now. That old cartoon still absolutely slaps and I watch it at least once a year.
 
I just find it to be a narrative that went from being "lots of great people made Star Wars happen and Lucas needed them" to "Lucas was always a hack and got lucky and shouldn't get any credit". Not saying that is what was the basis of the comments here but you do see that in the fandom.
Lucas isn't a hack. He's not a dude who blundered into success riding on people's coattails. We can put that one to bed.

He has good ideas and he's got an incredible eye for team-building. He finds groups of people that make legitimate cinematic alchemy. He also has a very solid aesthetic eye. The core designs of things like X-Wings and TIEs are finalized by others, but the back of the napkin concepts those folks worked from are his. He is very good at looking at stuff and figuring out what reads quickly to an audience visually. He's also got a really good sense for what elements work in a remix. It would have been easy to just ape Buck Rogers, but he knew that mixing in a healthy dose of Kurosawa and westerns and other stuff would be better. And he was right. All of those are valid skills and they are why his contemporaries thought he was going to be a major, once in a generation movie-maker. And he sort of was... just not in the way a lot of them (I think himself included) expected.

That said, Lucas's strong suits are not writing or directing, and pretty much everyone who has worked with him will confirm that. Saying the film was saved in the edit isn't taking away what he did do, it's saying he couldn't land that plane on his own, and I do believe that.
 
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