The Reading Room

Yeah, I imagine it's similar to screen actors being typecast. That southern drawl is not going to work if you're narrating romantasy, I imagine.
My friend, if you ever want a deep dive into the profoundly weird, look into how fucking bizarre the parasocial relationships readers develop with romantasy narrators have become. Those poor men need literal security at events. There was an incident in Boston last month that put the entire community on red alert about inappropriate touching at events.
 
@docsilence Yeah, my mother is an author as well and she's described some of that kind of stuff to me before. In general, the parasocial relationships people form with writers, celebs, YT personalities, etc, is fucking weird and gross.
 
@Damien Speaking of John Gwynne, I bought a seax today for no good reason, I'm going to need som pointers on the best way to use this new piece of home defense equipment.
 
@Damien Speaking of John Gwynne, I bought a seax today for no good reason, I'm going to need som pointers on the best way to use this new piece of home defense equipment.
That's pretty awesome.

First thing you need to do is get yourself a Shield Wall.*


*Except not at all, you will probably die if you try to fight in a shield wall with most normal forms of seax.
 
That's pretty awesome.

First thing you need to do is get yourself a Shield Wall.*


*Except not at all, you will probably die if you try to fight in a shield wall with most normal forms of seax.
The guy helping out the blacksmith (who is pretty knowledgable himself but wasn't available to chat at the moment) said to my buddy that he liked how it looked like you were supposed to chop with it and I just kept thinking about the thousands of words Gwynne used to talk about how it's a piercing weapon.

Honestly this thing's just a solid bit of metalwork and if someone came at me while I was holding it I could clobber him with the flat of the blade and wallop him, but it's got such an odd feel compared to most other blades I own. Everything else has an almost gravitational pull telling you how it moves through space.

(I gotta grab that other series this week. Been catching up on some audio dramas between books.)
 
The guy helping out the blacksmith (who is pretty knowledgable himself but wasn't available to chat at the moment) said to my buddy that he liked how it looked like you were supposed to chop with it and I just kept thinking about the thousands of words Gwynne used to talk about how it's a piercing weapon.

Honestly this thing's just a solid bit of metalwork and if someone came at me while I was holding it I could clobber him with the flat of the blade and wallop him, but it's got such an odd feel compared to most other blades I own. Everything else has an almost gravitational pull telling you how it moves through space.

(I gotta grab that other series this week. Been catching up on some audio dramas between books.)


Yeah, I mean... seaxes are cutting weapons. I think one of the big re-enactorisms of the Gwynne books is treating seaxes like important weapons of war, which tends to come from re-enactors kind of piecing together their own version of history from the archaeology that they don't necessarily understand. Lots of people seemed to carry a seax with their weapons, therefore seax = weapon.
The reality seems to be that the seax was just a utility knife that basically everyone carried, and it just so happens that people carried their utility knives during war as well. I mean, you can use it to fight with, and certainly many did. But it -started out- as just a common tool.

That's why the seax is single-edged with a flat back. So you can press your hand down on the back of it while cutting things like meat or rope or whatever. Also, the complete lack of guard means it would be very dangerous to thrust with, especially against hard targets like armor/shields/bone. Good way to slice your hand wide open AND lose your last ditch weapon.

I can't speak to the quality of the one you got. I don't know if it's basically a knife-shaped lump of metal or made to exacting specifications of historical originals. But my experience with seaxes designed after originals is that they tend to feel like clunky kitchen knives. They're okay, but they don't necessarily index -great- or move particularly gracefully. But again, they are primarily cutting tools, not weapons of war, as far as we can really tell.
Fun fact is that the seax design was basically the standard European knife carried by all classes, including knights, until quillon daggers became more popular in the late 11th century. So this 'Viking' knife was carried by Christian Crusaders into Jerusalem on the 1st Crusade.
 
Yeah, I mean... seaxes are cutting weapons. I think one of the big re-enactorisms of the Gwynne books is treating seaxes like important weapons of war, which tends to come from re-enactors kind of piecing together their own version of history from the archaeology that they don't necessarily understand. Lots of people seemed to carry a seax with their weapons, therefore seax = weapon.
The reality seems to be that the seax was just a utility knife that basically everyone carried, and it just so happens that people carried their utility knives during war as well. I mean, you can use it to fight with, and certainly many did. But it -started out- as just a common tool.

That's why the seax is single-edged with a flat back. So you can press your hand down on the back of it while cutting things like meat or rope or whatever. Also, the complete lack of guard means it would be very dangerous to thrust with, especially against hard targets like armor/shields/bone. Good way to slice your hand wide open AND lose your last ditch weapon.

I can't speak to the quality of the one you got. I don't know if it's basically a knife-shaped lump of metal or made to exacting specifications of historical originals. But my experience with seaxes designed after originals is that they tend to feel like clunky kitchen knives. They're okay, but they don't necessarily index -great- or move particularly gracefully. But again, they are primarily cutting tools, not weapons of war, as far as we can really tell.
Fun fact is that the seax design was basically the standard European knife carried by all classes, including knights, until quillon daggers became more popular in the late 11th century. So this 'Viking' knife was carried by Christian Crusaders into Jerusalem on the 1st Crusade.

It’s funny, this blacksmith actually adds a simple crosspiece to his seaxes but that probably just makes them historically inaccurate. But it absolutely feels like a tool, not a weapon. I want to sharpen it up and use it to attack carrots. But it’s also hefty enough you could mess someone up with it, but you can do that with a streak knife too in the right hands

The dagger I picked up feels like it was made for finding and puncturing kidneys.
 
It’s funny, this blacksmith actually adds a simple crosspiece to his seaxes but that probably just makes them historically inaccurate. But it absolutely feels like a tool, not a weapon. I want to sharpen it up and use it to attack carrots. But it’s also hefty enough you could mess someone up with it, but you can do that with a streak knife too in the right hands
Definitely historically inaccurate. And I don't know that I'd describe any functional knife as 'hefty.' That tends to lead me in the direction of modern overbuilt 'for looks only' kinds of things. Which is fine. There's nothing wrong with having that stuff. I have a Deepeeka Falcata that is definitely overbuilt and feels kind of terrible in the hand. I like it in defiance of its faults, but you could turn it around and beat someone to death with the spine of the blade, it's so thick.

But historical seaxes definitely have nothing to protect your hand from sliding up onto the blade. In fact, many of them are actually narrower where the handle meets the blade than toward the bottom of the handle, making it even easier for the hand to slide up onto the blade. And the handles tend to be very round, and therefore not good at all for indexing the blade. They're a bit of an oddity, that's for sure.

I've seen a few modern smiths intentionally make 'almost seaxes' where they kind of make them to the assumed use. They know people are going to want to swing them around and stab things with them in the backyard, and they don't want to get sued by someone that hurts themselves or breaks it, so they make them too thick and beefy, and they add stops or swells between the handle and blade to protect people from themselves. Probably not a bad idea, honestly, if you're selling at Ren fairs.


The dagger I picked up feels like it was made for finding and puncturing kidneys.

Stabby bois be stabby. I have an antennae dagger and it informs you of how it wants to be used as soon as you pick it up. It's not a 'fighting knife,' even though it has a very traditional-style dagger blade. It's a fucking ice pick. It's meant to be held inverted and driven down into an eye-slit. Basically a proto-Rondel.
 
Yeah, I actually think he tweaked the seax design so ren faire goofballs don’t lose a finger. I don’t love it now that it’s at home, definitely an impulse purchase, but it’d feel nice tucked into a sheath at the small of the back or such.

The little stabby dagger just demands an inverted grip. It’s got “stab and then unzip the guy” design feels to it. Damn these Massachusetts laws about carrying bladed weapons in public…
 
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