The Reading Room

And this is how I remember i bought a half-dozen graphic novels / TPBs a month ago, put them underneath my Monster Manual, and forgot to read them. (I'm about to finish the second book in the Bloodsworn Trilogy, probably won't get to sleep til I finish it.
 
Oh I dont "count" graphic novels either, I just always have some in the pipeline. And there are various reasons I might be reading more than one book at a time. In this case it's because one of them is fairly large in trim size and I dont feel like dragging it to work with me so i read something else on my breaks there.
 
(I'm about to finish the second book in the Bloodsworn Trilogy, probably won't get to sleep til I finish it.
Oh. My. God. You are killing me with this, sir. I know you're a faster reader than that. Let's fuckin' Gooooooo. I was genuinely surprised by how it ended and I want. to. talk. about. it.
 
Oh. My. God. You are killing me with this, sir. I know you're a faster reader than that. Let's fuckin' Gooooooo. I was genuinely surprised by how it ended and I want. to. talk. about. it.
I'm in the home stretch of Book 3. Reading slow because I'm also in the final act of the latest manuscript so I'm spending twice as much time writing than reading. Should be done in a day or two. I have COMPLICATED feelings about Elvar at this point and I'm hoping they change.
 
They won't!
My heavily distracted dumbass self finally finished Bloodsworn Trilogy. Great stuff overall. Couple of minor quibbles (one weakly implemented side-villain, an almost comedically obvious self-insert, and if I have to read "he/she/they had an axe and seax on his weaponsbelt, and wore a fine brynjar" one more time I may just lay down on a funeral pyre myself), but it resolved pretty much every character arc in a really satisfying way.
 
My heavily distracted dumbass self finally finished Bloodsworn Trilogy. Great stuff overall. Couple of minor quibbles (one weakly implemented side-villain, an almost comedically obvious self-insert, and if I have to read "he/she/they had an axe and seax on his weaponsbelt, and wore a fine brynjar" one more time I may just lay down on a funeral pyre myself), but it resolved pretty much every character arc in a really satisfying way.
I have SO many thoughts about this series and I just have not had time, and still don't, to get into it all. Also, I doubt anyone cares that much.

BUT, you're definitely hitting on one of the things I genuinely dislike about his writing; what we 'in the know' call Reenactorisms. It's kind of a two-fold problem. The first part is WAY overemphasizing things they like in their personal reenactment kit, and the second part is emphasizing elements of history that they're getting wrong just because all re-enactors do it. In this case it's like.. everyone has an axe, and everyone recognizes the seax as a weapon of war. Neither of these things is true, but re-enactors have spouted it for so long that it's just part and parcel to how they view the period, which he's extrapolated into his fantasy world really clumsily.

Bernard Cornwell is guilty of this too, with his 'seaxes punch through mail and are THE go-to weapon in the shield-wall' - which also are both utterly false.

The other big thing I disliked about the series was that every fucking character 'strides' everywhere they go. Not a single character ever walks somewhere. She STRODE over to him. He STRODE over there. She came STRIDING over to them while they were STRIDING over there and then they all STRODE together. Once you see it, it's like hot fucking knives in your eyeballs.

I say all this while adamant that this trilogy is incredible and I absolutely love it.


Are you going to start Evan Winter's books anytime soon? I think you'll get a huge kick out of his world building.
 
I have SO many thoughts about this series and I just have not had time, and still don't, to get into it all. Also, I doubt anyone cares that much.

BUT, you're definitely hitting on one of the things I genuinely dislike about his writing; what we 'in the know' call Reenactorisms. It's kind of a two-fold problem. The first part is WAY overemphasizing things they like in their personal reenactment kit, and the second part is emphasizing elements of history that they're getting wrong just because all re-enactors do it. In this case it's like.. everyone has an axe, and everyone recognizes the seax as a weapon of war. Neither of these things is true, but re-enactors have spouted it for so long that it's just part and parcel to how they view the period, which he's extrapolated into his fantasy world really clumsily.

Bernard Cornwell is guilty of this too, with his 'seaxes punch through mail and are THE go-to weapon in the shield-wall' - which also are both utterly false.

The other big thing I disliked about the series was that every fucking character 'strides' everywhere they go. Not a single character ever walks somewhere. She STRODE over to him. He STRODE over there. She came STRIDING over to them while they were STRIDING over there and then they all STRODE together. Once you see it, it's like hot fucking knives in your eyeballs.

I say all this while adamant that this trilogy is incredible and I absolutely love it.


Are you going to start Evan Winter's books anytime soon? I think you'll get a huge kick out of his world building.
I was JUST going to jump in and ask you for a recommendation after Bloodsworn. Because there was some stuff that drove me NUTS about it, but damn it's a fun trilogy and I'm glad I took your recommendation. (Funny thing - the narrator, same guy, changes the pronunciation of seax mid-series in the audiobook version. And the word appears like six thousand times per book.)

I'm rereading Dracula and Treasure Island next but after that I'll give Evan Winters a try. Need a new series. That being said, it's been 20 years since I reread Dracula and goddamn Stoker's ridiculous writing holds up over time.
 
I was JUST going to jump in and ask you for a recommendation after Bloodsworn
DEFINITELY 'The Burning' series if you can handle that it's not done yet. It's a trilogy and the third book is supposed to come out in January, I believe.
The first two are The Rage of Dragons and The Fires of Vengeance and.. my dude... it's so good. Especially for a first-time author that used to like.. direct music videos or some shit?

I found the series, so far, really good at surprising me. There were world-building things that I thought I knew what to expect but then turned in a different direction. The main character could very easily stray into edgelord territory but somehow never actually does. The entire series is really leaning into more dark fantasy but without being predictable and just depressing and awful all the time. It's hard to explain without giving away any key plot points that I think are so good I would not want to even skirt around revealing by accident.
AND, it's 'medieval fantasy, but through the lens of African mythology/history.' Which is not something I think I've ever really been exposed to before.


(Funny thing - the narrator, same guy, changes the pronunciation of seax mid-series in the audiobook version. And the word appears like six thousand times per book.)
I would be FURIOUS. Also, it's "sax."
Also, I don't ever listen to audiobooks. It's the ADHD. I'll drift off into my own brain and realize I wasn't listening to the last 2 chapters. So I can never be responsible for recommending a book where the audiobook version is terrible.
 
Also, I don't ever listen to audiobooks. It's the ADHD. I'll drift off into my own brain and realize I wasn't listening to the last 2 chapters. So I can never be responsible for recommending a book where the audiobook version is terrible.
My vision is degrading by the minute and I write/edit for a living so if I want to read for fun, it's become audiobooks or nothing lately. I never liked audiobooks before but it's a desperation thing. I'd rather read-read a PRINT book if I had my way, but Jesus fuck the modern printing format hates the visually impaired.

He says "sax" in the first book then switches to "sea-ax" in the second and I'm like, on first reference... is there an axe specifically for boat use? A sea axe? Oh wait...

(The narrator in this series is fucking great though, to the point where I will actively be happy when he shows up in other books. I now understand why people have narrator preferences. I listened to a horror novel with a narrator fighting a Rhode Island accent and good gawd what a mess)
 
He says "sax" in the first book then switches to "sea-ax" in the second and I'm like, on first reference... is there an axe specifically for boat use? A sea axe? Oh wait...
I'm guessing maybe the author prefers the 'sea-ax' pronunciation so he asked them to change it for the second book? I dunno why else a narrator would suddenly change the way they pronounce things. Being an audibook narrator must be tough in the fantasy genre because there's so many words that you probably otherwise never encounter and you've got to smoothly recall how to pronounce them the same way every time. I don't envy that at all.


I listened to a horror novel with a narrator fighting a Rhode Island accent and good gawd what a mess
This is definitely an issue I would also have if I did switch to audio (which, again, I don't think I ever will or could); there's absolutely some accents I can't take seriously as it is. I'm actually surprised noticeable accents/dialects don't sort of soft-disqualify people from even doing audiobook narration.
 
I've been in a slump, as well. I find it hard to concentrate on reading when *gestures broadly*. What I have been reading hasn't done much for me.

I think I finally broke through with the book I'm reading now, but I don't want to jump the gun. I'm only about 100 pages in, and it's a long one. I'll have more when I finish it.
This book took me six weeks and then I forgot to post about it.

It was The Priory of the Orange Tree. It's a tough one for me to review/recommend. I'd give it a 4.5/5, but it's not without some major issues.

The good parts are truly excellent. The romance is moving. The dialogue is strong. The climax is exhilarating.

As for the bad parts, I'd start with the length. It's ~850 pages, and while none of it drags, it would've been an incredible piece of work at 500 pages. Some plot points are padded out. It ushers its characters across the world several times when once would've been more than enough. Oddly, the beautiful prose dipped in four or five chapters toward the end of the book. I felt like I was reading a far less talented author.

The book's worst sin, though, is its POV choices. The main character and her chapters are nearly perfect. I would've cut the other three POVs altogether. The book either needed far more POV characters or just one (and a reduction of a few hundred pages). Having finished the book, I still can't understand why one of the POV characters was in the book at all. All of his plot points could've been cut or moved to another character. The book grinds to a halt during his chapters.

Folks compare it to Game of Thrones because of its unique cultures and political maneuvering. That's where the comparisons start and end for me. I'd call it a romantasy for adults. (Note that the one romantasy I've read is ACOTAR. I thought the fantasy elements were weak and the romance was tame. To me, ACOTAR is YA fiction.)

The Priory is a really good book, but it's definitely not for everyone.

Between the news and the length of my last book, I needed something light and quick. I just started Legends & Lattes.
 
I'm guessing maybe the author prefers the 'sea-ax' pronunciation so he asked them to change it for the second book? I dunno why else a narrator would suddenly change the way they pronounce things. Being an audibook narrator must be tough in the fantasy genre because there's so many words that you probably otherwise never encounter and you've got to smoothly recall how to pronounce them the same way every time. I don't envy that at all.



This is definitely an issue I would also have if I did switch to audio (which, again, I don't think I ever will or could); there's absolutely some accents I can't take seriously as it is. I'm actually surprised noticeable accents/dialects don't sort of soft-disqualify people from even doing audiobook narration.
I became friends with a ton of narrators when my first book was done as a full-cast audio and yeah, narrators are usually like MY KINGDOM FOR A FUCKING PRONUNCIATION GUIDE!!!! One of the first rules of training as a narrator is don't do it without verifying, because you don't want to go back and re-do the whole thing over again.

I do think some accents auto-disqualify you or make you a specialty narrator. Hell, I find most AMERICAN accents kinda blah and lean almost entirely into British accented narrators if I can.
 
I do think some accents auto-disqualify you or make you a specialty narrator. Hell, I find most AMERICAN accents kinda blah and lean almost entirely into British accented narrators if I can.
Yeah, I imagine it's similar to screen actors being typecast. That southern drawl is not going to work if you're narrating romantasy, I imagine.
 
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