TTRPGs & D&D

I think print quality in general is down. Most of the RPG books I've picked up the past 5 years or so regardless of company/printer, even trade paperbacks don't feel nearly as durable as they used to be. Oddly enough WOTC prints their stuff in the US, too.
 
I guess this is the way shrinkflation hits books? They just print everything on something with the integrity of tissue paper. I'm sure there's some calculation about how they're getting an extra 3 pages per 700 out of this or something. Jesus Christ.
 
I guess this is the way shrinkflation hits books? They just print everything on something with the integrity of tissue paper. I'm sure there's some calculation about how they're getting an extra 3 pages per 700 out of this or something. Jesus Christ.
Let's put it this way: in fiction publishing, publishers are rejecting longer-form fantasy novels now because the printing cost for books over, say, 120,000 words starts chewing into the ROI like you wouldn't believe. (Try naming a book under 150k words in the fantasy genre before 2020... unless your name is Sanderson, good luck with that now). That gets exponentially worse in hardcovers (bookstores are BEGGING publishers to stop publishing hardcovers for a lot of genres because they cost so much upfront and don't sell) and books with art? forget about it. My old publisher used to call the best art/cookbooks/photo books vanity projects because they almost always lost money on them, but the owner was really proud to produce them so they'd take a financial loss just to produce a book they respected.

Also as much as it'll piss people off, RPG books are disgustingly underpriced for the production costs. The problem is every single consumer is UNDERPAID, so it's a dragon eating its own tail. I'd have to dig up the numbers but I saw an analysis of TTRPG book pricing (Teos over on Mastering Dungeons/Alphastream does a great annual financial breakdown) and they're charging like, 2006 prices given the printing and development costs.
 
Yeah - I'd actually read maybe a year ago that books, in general, are actually way under-priced compared to modern production/printing costs. The problem being that such a huge part of the population doesn't fucking read anymore, so you get to choose how to kill yourself; you can raise prices and drive away even more customers, or barely make money with your current prices but hope at least that the book sells to a decent-size audience.

I have a Kindle. I read books on it. But man, I am so scared of the day that publishers just stop physical publishing because I live and breathe by my bookshelves.
 
I recently saw a game review (for the new Starfinder, I think) which said that book's pages aren't as thin as the D&D book's. I imagine they're stand-out flimsy.
 
Yeah - I'd actually read maybe a year ago that books, in general, are actually way under-priced compared to modern production/printing costs. The problem being that such a huge part of the population doesn't fucking read anymore, so you get to choose how to kill yourself; you can raise prices and drive away even more customers, or barely make money with your current prices but hope at least that the book sells to a decent-size audience.

I have a Kindle. I read books on it. But man, I am so scared of the day that publishers just stop physical publishing because I live and breathe by my bookshelves.
Yeah, it's brutal. I'm literally in a discussion right now about a fantasy novel I'm pitching and whether or not if I keep it lean it'll be a selling point to publishers, though traditionally if a fantasy book isn't at least 150k it's considered too short. (I came out of screenwriting so my books tend to be efficient in length anyway because of how I structure them, but I'm feeling like I'm doing something wrong pitching something that'll clock in around 115k... but the printing and shipping costs if you cross that 125k word count line is... oh man, I think last time I looked at it anything over that amount immediately costs 20% more to print and ship? It's ball-shriveling.)

There was a study last week about how reading for fun has dropped by 40% in the past 20 years. Working publishing feels like, I dunno, shoeing horses for a living -- sure we still want people who know how to do it but it's a dying trade.

(Oh, and add to the fact that readers think an e-book should cost 25% the cost of a print book when about 80-90% of upfront costs to produce the book are crafting the damned thing, so somehow people still over-value paper costs while not actually buying enough to support the industry. Publishing is a bloodbath these days. I honestly think we'll see the end of the publishing industry in our lifetimes.)
 
(Oh, and add to the fact that readers think an e-book should cost 25% the cost of a print book when about 80-90% of upfront costs to produce the book are crafting the damned thing, so somehow people still over-value paper costs while not actually buying enough to support the industry. Publishing is a bloodbath these days. I honestly think we'll see the end of the publishing industry in our lifetimes.)
Yeah, this one sucks. And I can be guilty of it myself because I personally put less value on an e-book than a physical book thanks to the various e-tailers of the world making it clear they can just take your shit away if they want to, the inability to resell or loan things, etc. My mother is a published author, so I see how tough it is for her and I KNOW that e-publishing is almost as expensive considering you need to have the book laid out all over again for an e-reader compared to print and you still need to like.. write the damned book and eat/pay your mortgage. But I can still look at a full-price e-book and go 'eeehhhh...'
 
Yeah, this one sucks. And I can be guilty of it myself because I personally put less value on an e-book than a physical book thanks to the various e-tailers of the world making it clear they can just take your shit away if they want to, the inability to resell or loan things, etc. My mother is a published author, so I see how tough it is for her and I KNOW that e-publishing is almost as expensive considering you need to have the book laid out all over again for an e-reader compared to print and you still need to like.. write the damned book and eat/pay your mortgage. But I can still look at a full-price e-book and go 'eeehhhh...'
I never complain OUT LOUD about e-book pricing, but even I as someone who gets bit in the ass by the same thinking will sometimes catch myself like eeeeeh I don't want to pay that much for a digital book. But when you think about the hours writing, editing, revising, proofing, and laying out the content, that's the real expense. The paper definitely should cost more but most of the investment in the product comes before you ship. (And this is acknowledging that editors are CRIMINALLY underpaid. They fought like hell to make 45k with a job requirement of living commuting distance of Manhattan or London a few years back. There's a reason only about 5% of authors don't have a full-time job on top of publishing.

Oddly enough, I think the best bargain in publishing is when RPG companies like WOTC, Paizo, Kobold Press, Modiphius, Free League etc. include the PDF with the print book. (I actually accidentally bought both from Modiphius for I think Dune? and they contacted ME to refund me my money.) There's no avenue for doing that for fiction publishing at the moment (B&N/Bookshop/Amazon all don't have a way to do it) but I'd gladly sign up for that option for my stuff if it was a straightforward process, but publishing is so fucked, man, you need separate ISBN #'s for each format, and that gets into sales tracking, blah blah blah... Blow the whole industry up and start over, I reckon.
 
I'm literally in a discussion right now about a fantasy novel I'm pitching and whether or not if I keep it lean it'll be a selling point to publishers, though traditionally if a fantasy book isn't at least 150k it's considered too short.
As a fantasy reader, this attitude has always puzzled me. I jump for joy when a fantasy novel comes in under 500 pages.

There's so much great stuff to read, the less time I spend on a book, the better. I so rarely finish a novel that couldn't have lost 100 pages.
 
As a fantasy reader, this attitude has always puzzled me. I jump for joy when a fantasy novel comes in under 500 pages.

There's so much great stuff to read, the less time I spend on a book, the better. I so rarely finish a novel that couldn't have lost 100 pages.
I'm the same way - I get overwhelmed if I see a series of five or ten 350,000 word books. I'm old! I don't have time for that! (Some day I'll finish Malazan, I respect what he did there, but boy howdy that's a lotta fuckin' pages).

The one I'm pitching to agents right now is: what if dark fantasy versions of Danny Ocean, John Wick, Poison Ivy, Irene Adler, and Gambit were a retired D&D party looking to ruin a bunch of nobles who screwed them over first. No elder gods, no world-changing events, just grimy revenge. It's a huge shift from my usual work which tends to skew for a younger audience.

But on TTRPG topics, I got the Planet of the Apes TTRPG today from their kickstarter and it's... interesting? I think some fun stories could be told with it. Mechanics draw from a lot of existing older games so it's familiar. No idea when I'll have time to run it, but it has my attention for a few days at least.
 
My decision to buy a sci-fi or fantasy novel is based solely on whether or not there's a sequel. Even better if it's a series. I'm looking to get invested!

But on TTRPG topics, I got the Planet of the Apes TTRPG today from their kickstarter and it's... interesting?
What's the game here? Are you apes or time traveling humans? Exploring a ruined Earth? Like, what do you *do*?
 
My decision to buy a sci-fi or fantasy novel is based solely on whether or not there's a sequel. Even better if it's a series. I'm looking to get invested!


What's the game here? Are you apes or time traveling humans? Exploring a ruined Earth? Like, what do you *do*?

All of the above—you can play ape, human (time traveling or mute), or even a mutant. It uses the old West End Games d6 system.


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The one I'm pitching to agents right now is: what if dark fantasy versions of Danny Ocean, John Wick, Poison Ivy, Irene Adler, and Gambit were a retired D&D party looking to ruin a bunch of nobles who screwed them over first. No elder gods, no world-changing events, just grimy revenge. It's a huge shift from my usual work which tends to skew for a younger audience.
That sounds super cool to me. You'd think with the success of Joe Abercrombie and ... whoever wrote Lies of Locke Lamora (sorry, author, I have forgotten you at the moment), publishers would be open to 'gritty fantasy' stuff.


My decision to buy a sci-fi or fantasy novel is based solely on whether or not there's a sequel. Even better if it's a series. I'm looking to get invested!
I like all of it. I'm a big fan of stuff where I can always find something to read in that setting - like Dragonlance or Warhammer 40k. And I like HUGE stories with a central focus, like Bernard Cornwell's Saxon Chronicles (14 books total, I think). And I like stories that have some heft to them but know when to end, like the Bloodsworn Saga.
But I also really like stuff that doesn't overstay its welcome and can hit me in as few words as possible. Stand-alones and short stories are awesome when done well.

I do tend to think that the best bang for the buck is often the shared worlds like your Dragonlances and Warhammers, because there's lots of self-contained stories that require very little investment overall, BUT you can keep going back to that same world for new stories if you so choose. The downside is that shared worlds use multiple authors and quality can vary wildly. Dragonlance might be the worst offender I know of. There's some truly phenomenal books in that world, and also some truly phenomenally terrible ones.
 
The one I'm pitching to agents right now is: what if dark fantasy versions of Danny Ocean, John Wick, Poison Ivy, Irene Adler, and Gambit were a retired D&D party looking to ruin a bunch of nobles who screwed them over first. No elder gods, no world-changing events, just grimy revenge. It's a huge shift from my usual work which tends to skew for a younger audience.
Sounds incredible. You had me at Poison Ivy. Then you had me again at Irene Adler. And again at Gambit. I'm always looking for more books that read like "A D&D party..." without being a LitRPG or so silly it may as well have been written for monkeys.

From the sounds of it, the natural comparison will be Locke Lamora.
 
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