Ru1977
The Irishman
You are correct assuming the sequel really happens. And the Joker movies are separate as well.
I believe that was/is the plan, yeah, unless Gunn changed his mind, but he seems to have always thought that audiences were smart enough to know the difference. Since Matt Reeves also went down the "grounded in realism" route, I don't know if having heroes with superpowers in his universe would fit. But plans could always change- some folks think that's why it's taken so long to get Part 2 going, is because he was told he has to work in other heroes. Obviously all speculation, but believe what you will.You know.... it wasn't a bad idea if they just had better direction and better writers and better ... everything. There's literally no reason we can't have Battinson movies that are entirely separate from a Batman/Superman JL team-up. In fact, I -believe- The Batman still takes place in a separate universe from the new Superman, right?
You are correct assuming the sequel really happens. And the Joker movies are separate as well.
I believe that was/is the plan, yeah, unless Gunn changed his mind, but he seems to have always thought that audiences were smart enough to know the difference. Since Matt Reeves also went down the "grounded in realism" route, I don't know if having heroes with superpowers in his universe would fit. But plans could always change- some folks think that's why it's taken so long to get Part 2 going, is because he was told he has to work in other heroes. Obviously all speculation, but believe what you will.
Agreed. If this Batman pretty much died from a direct shotgun blast, he'd get demolished by any sort of superpowered threat. From the sound of things, with Brave and the Bold being the first Batman movie of the new DCU, it feels like a very safe bet that it'll be a separate Batman than Battinson. If they want to work in Damian Wayne like it seems they do, then I don't know if Pattinson is quite old enough. In real life, maybe, but I can't remember how old this Bruce is supposed to be in-universe. You know there's always rumors and speculation that any given Batman will start to incorporate other heroes- I remember all that talk happening with the Nolan movies as well- but I enjoy ones that can stand on their own.I would hate if they switched it up and included Battinson. I just think you need to approach Batman totally differently from the beginning if you want to include him with the JL. Batman that has once or twice thrown on Kryptonite knucke-dusters and punched up Superman when he's being a dick is a VERY different Batman from the guy that gets fucked up if he tries to beat up too many skinny teenagers at once.
Agreed. If this Batman pretty much died from a direct shotgun blast, he'd get demolished by any sort of superpowered threat. From the sound of things, with Brave and the Bold being the first Batman movie of the new DCU, it feels like a very safe bet that it'll be a separate Batman than Battinson. If they want to work in Damian Wayne like it seems they do, then I don't know if Pattinson is quite old enough. In real life, maybe, but I can't remember how old this Bruce is supposed to be in-universe. You know there's always rumors and speculation that any given Batman will start to incorporate other heroes- I remember all that talk happening with the Nolan movies as well- but I enjoy ones that can stand on their own.
That's really the only thing that has me excited for whatever the DCU Batman ends up being- him existing in this larger world means we can finally return to the more fantastical villains and don't have to worry about grounding them in realism. Give me monstrous Clayface, give me Man-Bat, give me Killer Croc and Solomon Grundy and Mad Hatter- the whole shebang!
I'd argue that Joker sells tickets, for better or worse. I think the only reason Folie a Deux didn't was the musical aspect of it. If it had just been a straight sequel, even if it had told more or less the same story, one could argue that way more people would've turned up. Same with something like Jurassic Park- it feels weird to call the dinosaurs the "villain" moreso than the antagonists; they don't really have a motivation, but audiences definitely turn up for them over the human heroes.Apart from Darth Vader and horror series, no villain sells tickets.
Just conversationally, I think there are some important push-backs to this, but not in an argumentative way. Just stuff to consider.I doubt they reboot/recast the MCU as a whole.
For the actors, I think it depends on who you get. Listening to interviews and stuff, it seems like lots of actors get pretty excited about guaranteed work. Look how excited TV actors get when they get something like a two season renewal. I think this is a more valid point against getting big name, established (and often aging) actors. Tom Cruise doesn't need a 9 movie deal. He doesn't need to care about being employed ever again. Tom Holland doesn't need a 9 movie deal -today-. He's super rich -because- of his MCU deal. But would Tom Holland have happily signed on to a 9 movie deal when he was originally cast as Spider-Man? You bet.1 - I suspect they wouldn't want to try to plan for the shared universe again - as it expanded, the ability of the films to connect and the overall storyline stay clear with production delays, casting issues, strikes, etc., makes it logistically hard to manage. Plus actors may not want to commit to 9 films again.
I honestly don't even want to think about this kind of ghoulish shit. But it's also worth noting that some actors have come out against this very idea and we don't know who would or wouldn't be willing to sell themselves out like this. I mean, does 25 million dollars change Chris Evans' life? - A guy whose net worth is over 100-120 million dollars already and could, with just some regular investments, live extremely well for the rest of his life without ever working again?2 - They may not need to recast. Not sure how far we are from studios licensing actors to be essentially voice over actors/motion capture performers for their own AI/computer generated performances, but 10 years from now I am sure if Disney thought it was worth it they could drop $25 million on Chris Evans doorstep to have a fully computer generated yet live action looking Cap adventure with Evans looking like he did in 2011. We've already seen some of it with the de-aging technology, or characters like Thanos or Vision.
I would say the counterpoint to this is that the current MCU has a shelf-life. They've boxed themselves out of ever using certain storylines or characters unless they start over somehow. And one could argue that recasting characters and trying to maintain that it's still the same MCU might not go over very well with fans that have so long associated certain actors with those characters. When Red Guardian is played by the same dude, but someone totally different is playing Steve Rogers, that might just feel weirder and less immersive than just starting from scratch.3 - If they did want to reboot, there is too much money in the current MCU IP that it is likely easier to hand-wave how this is a new Tony Stark for some "comic book reason" than to start over
That is kind of my expectation of where this is going. Although I'm guessing, based on absolutely nothing, that this is just going to be an alternate universe version of Stark rather than 'our' Stark inadvertently doing a thing.Also, no doubt in my mind this Doom is connected to Stark. For comic fans the villains have history, but for movie and plot purposes, that history is secondary and therefore malleable compared to the heroes. Apart from Darth Vader and horror series, no villain sells tickets. Could Doom reach that level? Maybe, but if it turns out he is alternate world Stark who built a suit of armor, learned magic, and became a despot instead of some random friend of Reed Richards from some unknown country, so be it.
THIS THIS THIS THIS THISI want a Justice League Unlimited version of Batman where he has the badassery and toys to literally hang in a fight with Darkseid.
Ahhhh I have been SCREAMING this since Spider-man 2. They did Doc Ock SO dirty by crushing him into the shape of a “reluctant” villain.Regarding villains- I think we need to return to villains actually being villains. I'm all for a well-rounded villain with believable motivations, and who doesn't love a good tragic backstory, but I don't need every single one of them to be redeemed at the end.
That's definitely something we can agree on.It looks like the MCU is really in need of an onramp for new audience members.
We started trying to appeal to the majority, and the majority contains a LOT of fucking cunts that want their own shitty attitudes excused for them with 'well, sometimes good people can be FORCED to think and do bad things.' I really don't think it's any deeper than that.I sometimes wonder what we did to ourselves culturally by requiring every villain to have a tragic story that explains their behavior
I ~think~ the idea of the redeemable villain, or more specifically the complex villain that isn't necessarily a bad person somehow, is rooted in history. I'd even argue some of the tropes start there - both with historical records and with mythology/folklore/etc. We have no choice but to take a far more nuanced view of historical figures than we would of modern figures (that is to say - people that lived after the Industrial Revolution). We contextualize the actions of historical figures (and mythological figures) based on their time's social norms, expectations, and even survival mechanisms/requirements.I mean I get it, people love that stuff, they eat it up, but every single real-world villain is an irredeemable piece of shit. To harm others without regret is monster behavior and they really exist. Real world villainy is greed, bigotry, hatred, misogyny, selfishness, cruelty... It's HARD to find a real world redeemable villain. And really, real world villains aren't the kind of people you go "oh, I understand why he did that evil thing, he was wrong but I get it!" Real villains do an evil thing and then gather people around them *who agree with that evil behavior.*
Loki's redemption arc was really good, but I actually like it for another reason; I think it plays on the above. I think it plays off the idea that the Gods - supernatural, super-human beings, do not operate by normal human morality. Just as they don't do in the myths and sagas. Loki -can- murder a bunch of people and try to subjugate entire planets and within the context of his people and his cultural morality - he's not necessarily EVIL, capital E. He's just kinda.. existing. He's 'being Loki' - in all that entails. The ability to joke and be mischievous one day, and violently suppress a human population the next day is part and parcel to what makes them so distinctly not us. And that, in fact, Loki's redemption arc wasn't about becoming more good. Loki's redemption arc, just like Thor's in Thor's first movie, was about becoming more HUMAN.That being said, I liked Loki's redemption arc. But I also liked how Agatha was still a monster at the end of her show. I think the character of Valentina from the comics deserved better, but the MCU Valentina hasn't shown a hint of redemption in her. Just took me a full minute and a half to remember who the actual villain was in Brave New World. Curious to see how they handle Galactus - he's more destructive force of cosmic nature than villain, the unavoidable ruin.